Both the relationship with space and penetration of space are of (i) importance in dance. This is the same rapport the sculptor has with his clay or marble. The body sculpts the space, forming a place for itself, (ii) creating a negative space, that which is unoccupied. A reviewer, writing about the (iii) dancer Hoyer, said that Hoyer could express what could not be born in film or photography. She could capture the space as her own.
Blank (i)
consequent
fundamental
malleable
Blank (ii)
caustically
deferentially
simultaneously
Blank (iii)
eloquent
haughty
obliging